Fleda decided. "Drive to Euston, please." Fleda was mystified. "People surely knew at Poynton," she objected, "if, as you say, she's there."!

"For Mummy's answer?" Owen stared and looked perplexed; he was more and more fevered with so much vivid expression of his case. "Don't you think that if I'm here she may hate it worse—think I may want to make her reply bang off?" "Certainly," the girl resolutely answered. "I don't see why you should talk as if one had a petty mind. You don't think so. It's not on that assumption you've ever dealt with me. I can do your son justice, as he put his case to me."

If Mr. Gereth's mother smiled in response to this, Fleda knew that her smile was a tacit criticism of such a form of reference to her son. Fleda habitually spoke of him as Mr. Owen, and it was a part of her present vigilance to appear to have relinquished that right. Mrs. Gereth's manner confirmed a certain impression of her pretending to more than she felt; her very first words had conveyed it, and it reminded Fleda of the conscious courage with which, weeks before, the lady had met her visitor's first startled stare at the clustered spoils of Poynton. It was her practice to take immensely for granted whatever she wished. "Oh, if you'll answer for him, it will do quite as well!" she said. Then she put her hands on the girl's shoulders and held them at arm's length, as if to shake them a little, while in the depths of her shining eyes Fleda discovered something obscure and unquiet. "You bad, false thing, why didn't you tell me?" Her tone softened her harshness, and her visitor had never had such a sense of her indulgence. Mrs. Gereth could show patience; it was a part of the general bribe, but it was also like the handing in of a heavy bill before which Fleda could only fumble in a penniless pocket. "You must perfectly have known at Ricks, and yet you practically denied it. That's why I call you bad and false!" It was apparently also why she again almost roughly kissed her. "Why, of any reviving pleasure that one might feel in such an exhibition. I shall feel none at all. You may personally take it as you like; but what conceivable good will it do?" The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!